Bernd survived his own abortion – and today he is a disabled actor on the stage of a Berlin theatre collective. While the group is rehearsing their piece about a Nazi-"Wunderwaffe," the practised inclusion rhetoric tips into sheer overwhelm. Bernd becomes a fan of the third-reich ideologies and starts spouting nationalistic slogans. The rest of the crew can barely contain their anger. When everything goes out of control during the premiere, the audience first believes it is staged. But Bernd is no longer just playing a role.

Cornelius Schwalm presents this escalation in a biting dark comedy. Between rehearsals, group discussions and a ritualised "But we are tolerant", the borders blur. Formally raw, uncompromising, and in the spirit of Schlingensief, the movie reveals the mechanisms by which a society fails to live up to its own moral standards. Openness is turned into a façade, opposition into division. A movie that does not simply depict discussion, but causes it – right where it hurts.