22.04. ‐ 27.04.2025
Leibniz Start

Leibniz – Chronik eines verschollenen Bildes

Edgar Reitz

Standing still and looking forward is all that is required for your portrait to be taken - but it seems to be quite a challenge for a thinker like Gottfried Wilhelm Leibniz. In Leibniz - Chronicle of a lost painting, Edgar Reitz carries out a filmic thought experiment: How can a picture capture a human’s whole being? The court painter Delalandre sticks to traditional methods, but being the polymath that Leibniz is, he demands more. Only the painter Aaltje van de Meer dares to attempt combining philosophy and painting. In exquisitely lit interiors, Edgar Reitz reflects on the essence of truth and thinking. 

The chamber drama, staged by the German cinema icon and his co-director Anatol Schuster, features a formal rigour that goes hand in hand with poetical images. The camera pauses to take in the finely nuanced expression of Edgar Selge, Lars Eidinger and Aenne Schwarz who display their outstanding acting skills in altercations about art and knowledge. The atmosphere is intensive, laced with subtle wit. “Why shouldn’t the cinema for once be the place to experience thinking?” - Reitz doesn’t explicitly ask this in his film, but the question does get answered.

25 April 2025

18:00 h, Esplanade im Festivalzentrum

More information Lichter FilmfestLichter Filmfest

Direction Edgar Reitz
Country Germany
Year 2025
Duration 104 min
Language German
Language version OV
Production Ingo Fliess, Christian Reitz
Cast Edgar Selge, Aenne Schwarz, Lars Eidinger, Michael Kranz, Antonia Bill, Barbara Sukowa
Camera Matthias Grunsky
Script Gert Heidenreich, Edgar Reitz
Editing Anja Pohl
Music Henrik Ajax
Sound Design Xavier Fleming


World premiere in the “Special“ section of the 75th Berlinale

Presented by:

Über den Regisseur

Edgar Reitz is a filmmaker, author and university teacher. He grew up in Morbach in the region of Hunsrück and studied German philology, journalism and dramatics in Munich. Since 1957 he has worked as a cameraman and director. Within the “Institut für Filmgestaltung” at the Ulm School of Design, he taught directing and camera work for eight years. His first feature film “Mahlzeiten“ was awarded at the Venice Film Festival in 1967. Since the mid 1970s, Reitz has been publishing numerous texts about film theory and film aesthetics, as well as stories, lyric poetry and literary versions of his films. Since 1994 he has been a professor of film at the Karlsruhe University of Arts and Design. Among his most important films are “Cardillac“, “Die Reise nach Wien“, “Der Schneider von Ulm“, “Stunde Null“ and the internationally known “Heimat“ trilogy that consists of 31 single feature films and counts as one of the largest narrative film works in film history.

Pressestimmen

“Reitz’ ever so competent style is sprinkled this time with tumultuous juvenile curiosity towards this special fellow Leibniz, who was a European genius after all. Edgar Selge displays Leibniz as a questioning, and not a condoning person.” (Gunnar Decker, nd-aktuell.de)



IN ATTENDANCE OF CO-DIRECTOR ANATOL SCHUSTER AND LARS EIDINGER

Future German Cinema

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