In “Shall I Compare You With a Summer’s Day”, the stage is everything. A guy, laying on a bed, starts detailing his sexual adventures to his lover, and what may seem anecdotal at first becomes spectacular thanks to a hyper-stylized stage, some theater-like lighting, and a Greek chorus of men singing and following the stories. We are transported right in the middle of a “One Thousand and One Nights”-style setting, within an aptly-named Club Scherezade, where queer affection, non-normative relationships, poetry, and pop are intermingled in an unrestrained series of tales that deal with the good, the bad, the ugly, and the political in the lives of a group of Egyptian men living as queer and migrants. A balancing act between the playfulness of style and not shying away from the hardships of trying out ways of living that disrupt tradition.