28.04. ‐ 03.05.2026
Die Blütgräfin

The Blood Countess

Ulrike Ottinger

The legend of the blood-sucking Erzsébet Bàthory has often served as an inspiration for film adaptations, yet certainly none of those has protrayed her as quirky and happily over the top as Ulrike Ottinger. In today's Vienna, the blood countess awakes from her beauty sleep, looking for prey and a mysterious book, which is threatening her vampiric empire. Isabelle Huppert embodies the undead aristocrat with a frigid elegance, accompanied by Birgit Minichmayr as devoted maid. Thomas Schubert portrays a heavy-hearted vegetarian vampire and Lars Eidinger his therapist. As cherry on top you will find Karl Markovic, Burghart Klaußner and Tom Neuwirth aka Conchita Wurst, playing three different roles. What a cast!

Ottinger created the dialogues together with Elfriede Jelinek and turns the saga into a bizarre farce, full of edgy sociocritical teasing. An adventure set in Vienna's most morbid places, with opulent costumes and striking pictures by director of photography Martin Gschlacht. An eccentric dance of the vampires in triple time. 

More information Lichter FilmfestLichter Filmfest

Direction Ulrike Ottinger
Country Austria, Luxembourg, Germany
Production year 2026
Duration 119 min
Language German, French
Language Version original version
Genre Comedy
Production Alexander Dumreicher-Ivanceanu, Bady Minck, Bettina Brokemper
Co-production Ulrike Ottinger
Cast Isabelle Huppert, Birgit Minichmayr, Thomas Schubert, Lars Eidinger, André Jung
Director of Photography Martin Gschlacht
Script Ulrike Ottinger; Dialoge unter Mitwirkung von Elfriede Jelinek
Montage Pia Dumont
Music Wolfgang Mitterer


Berlinale 2026

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About the director

Ulrike Ottinger, born in Konstanz in 1942, is a film director, writer, photographer, and visual artist, and is regarded as one of Europe’s most renowned women artists. She gained international recognition with her Berlin Trilogy Ticket of No Return, Freak Orlando and Dorian Gray in the Mirror of the Yellow Press. Her work spans experimental film, feature film, and documentary. Her films have been invited to Cannes, Venice, and the Berlinale, where she was honored with the Berlinale Camera in 2020.

Press reviews

The Blood Countess finds its own distinctive form in the liminal space between wildly overgrown camp, delightfully offbeat genre parody, intellectual playfulness, alternative urban archive, and metropolitan exploration. And when, in the end, all the threads converge at the Prater and a midnight dinner takes place in a cabin of the Ferris wheel, Ottinger even leads her cinema back to its roots as a fairground attraction and machine of illusion. After having been in development for almost 30 years, The Blood Countess is now perhaps director Ulrike Ottinger’s best feature film – and definitely her funniest.” (Michael Bendix, filmstarts.de)



HESSIAN PREMIERE

In attendance of Lars Eidinger and Burghart Klaußner

Future German Cinema

Die Blütgräfin
Die Blütgräfin