The Kingdom (Le Royaume)
Julien Colonna
It is a hot summer in Corsica and the summer breaks in France are long. To her surprise, young Lesia is brought to a house where her father is secretly residing with his followers. A situation she can hardly read: who are these men and what do they want? It is 1995, and in Corsica not only the separatists are firing bombs - in a similar fashion, the gangs of organized crime, all structured in a patriarchal manner, fight against each other.
Her fathers clan appears to be on the downswing and a web of death tightens around his clan. It is left to interpretation what kind of business the father is practising, but vendettas play a role. But The Kingdom, the corsican director Julien Colonna’s debut, does not lose itself in a simple string of assassinations and murders, but rather about how daughter and father have to find each other - and how Lesia slowly becomes an accomplice to her father during his escape. Organized crime from the point of view of a young woman: Julien Colonna shows how violence always results in more violence.
27 April 2025
19:00 h, Elysee 1 im Festivalzentrum
More information
Direction | Julien Colonna |
Country | France |
Year | 2024 |
Duration | 108 min |
Language | French |
Language version | Original with English and German subtitles |
Production | Nicolas Dumont, Antoine Lafon.Hugo Sélignac |
Cast | Ghjuvanna Benedetti, Saveriu Santucci |
Camera | Antoine Cormier |
Script | Julien Colonna, Jeanne Herry |
Editing | Albertine Lastera, Yann Malcor |
Music | Audrey Ismaël |
CANNES 2024, IFFMH 2024
Presented by:

About the director
Julien Colonna, born on 6th of January 1982, studied social sciences and screenwriting in Paris and created, apart from advertising films, internationally awarded short films. One is Confession (2015) with Anne Parillaud. In 2020/21, he worked on the the mini series Gloria about a lawyer who has to readjust after the disappearance of her husband. The Kingdom is Colonnas feature film debut.
Press reviews
“Compared with the “Godfather” films (this decidedly anti-glamorous portrait is practically the antithesis of Coppola’s approach), “The Kingdom” reframes things from the vantage of the Sofia Coppola character. It’s like “The Sopranos,” as seen through Meadow’s eyes. And though we’re all familiar with the lesson that the cost of vengeance is a never-ending circle of violence, Colonna’s retelling lands like a bullet in the head.” (Peter Debruge for Variety)
“The gradual transformation of an innocent child into an accessory to violence, forced to become increasingly pragmatic and cold along the way, is far from a fresh hook this far into the history of crime movies. But Colonna’s film, co-written with Jeanne Herry, is a riveting, moving take on this narrative. So crucial to its success is that central father and daughter duo, with casting for the film reportedly having taken place over eight months. “The Kingdom” is the first screen credit for both Saveriu Santucci and Ghjuvanna Benedetti, non-professional actors like much of the main cast, and their magnetic work here is the kind to make you want them in as many films as possible going forward.” (Josh Slater-Williams for indiewire.com)
International Feature Film Program
